Blog
Playwright Pedro Flores on Creating ‘JUAN JOSE AND THE DEATHLY VATOS’
Juan Jose is an amalgamation of myself as a kid, my critiques of Harry Potter as an adult, and boosting my culture and background, combining them to create a ridiculous yet hilarious narrative.
Read MoreThe Utah Review’s ‘Top 10 Moments of the Utah Enlightenment’ (2015-Present)
The Utah Review’s year-end “Top 10 Moments of the Utah Enlightenment” has included a Plan-B Production every year since the list began in 2015.
Read MorePlaywright Janine Sobeck Knighton on creating ‘THE BEATRIX POTTER DEFENSE SOCIETY’
“I kept circling around this moment in 1882, the first time that she stayed in the land that would become her eventual home. She was only 16 and I knew in my gut that this moment helped define her as a person, as a writer, as an artist, and as an activist. I wanted to explore this younger Beatrix – before she became the Beatrix Potter we all know. But it wasn’t until I discovered Edith Rawnsley that the story clicked into place.”
Read MorePlaywright Aaron Asano Swenson on creating ‘KILO-WAT’
“To tell this story, I had to tell my own—how I found my connection with Wat Misaka, and how he reconnected me with my own family.”
Read MoreActor Yolanda Stange is Color-Full
“… it is important to listen closely to the innate use of words, the tone, and the things that are being said, or not being said.”
Read MorePlaywrights Courtney Dilmore & Tatiana Christian on creating ‘FULL COLOR’
“… it is important to listen closely to the innate use of words, the tone, and the things that are being said, or not being said.”
Read MoreYour Plan-B Moment
Capture your Plan-B moment at every performance this season
Read MorePlaywright Dee-Dee Darby-Duffin on creating ‘EllaMental’
I wanted to give voice to children with “behavior issues” who often aren’t asked what they think or feel about the world around them.
Read MoreReFraming A Classic
A story began to form—an atypical day in the life of a small museum. Missing paintings, busloads of tourists, painfully shy docents, glorious music, art that comes to life …
Read MorePlaywright Melissa Leilani Larson on creating ‘BITTER LEMON’
I have never loved Macbeth. Can I say that aloud, as a theatre person? Is it allowed? Too late, Mel. Too late. [But] I have always wondered — what would happen if Lady Macduff had her say?
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