From the Artistic Director

We feel a responsibilty as a company to reflect the community in which we live. And yet I’ve been asking myself: with all that is happening, does attending the theatre even matter?

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Austin Archer on being the entire cast of GOOD STANDING

It’s brought up a lot of things for me and sparked many good discussions in the rehearsal room, meaning it’s probably the kind of script that will inspire similar discussions on the car ride home for you after you see it, meaning it’s probably a pretty damn effective bit of storytelling.

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Subscribe to our 2018/19 Season!

A season exploring how truth finds us and what we do with it once it does. A season about sexuality, race and privilege. A season about us, here, now.

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Playwright Matthew Ivan Bennett on RADIO HOUR EPISODE 12: STAND

RADIO HOUR EPISODE 12: STAND by Matthew Ivan Bennett receives its world premiere in a co-production with KUER’S RadioWest on April 26, 2018 featuring Shane Mozaffari, Jay Perry and Isabella Reeder, with original music by Dave Evanoff, eFoley by Joe Killian and direction and sound design by Cheryl Cluff. Click here on Monday, April 23 at 9am to listen to Matt on RadioWest discuss the history, idea and literature of dystopia; then again on Thursday, April 26 at 9am to listen to STAND live. When I tell people what my new play is about – “Oh, it’s a dystopian spy thriller set in the mid-21st century in which the alt-right has taken over” – they usually shiver. Granted, I haven’t tried out my one-liner on someone who identifies as alt-right. But, really, the play is less about politics and more about moral choices. At the center of RADIO HOUR EPISODE 12: STAND is Agent Alicia Mora, a thoroughly rational person who decides – at least initially – to work for a flawed regime instead of a flawed rebellion. The harrowing unspoken question for her is, “Which side is doing the least harm overall?” Of course, all of our choices in life, and especially in drama, are constrained. Rarely are we afforded the chance to coolly decide what will hurt everyone less and then do that. The decision gets complicated by other questions. The question of personal comfort. The question of belonging. The question of how you’ll feed your children. The question of rightness. The question of an imagined ultimate outcome for your tribe. Or, for Agent Mora, the questions of... read more

Jenifer Nii’s THE WEIRD PLAY premieres March 1-11

I’d seen a handful of shows in my youth (including a particularly alarming Idahoan-interpreted MAN OF LA MANCHA). I’d never read a play just for fun. But life is a wild ride. Mine had just steamed through most of a music degree at university, then swerved toward journalism after a Schumann etude ate my finger. Then, through some loopty-loops I still can’t really follow, I landed in the back row of a campus production of Marsha Norman’s play GETTING OUT that cracked my heart and I saw, for the first time, how theatre can transport, and open up and shake.

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