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“… it is important to listen closely to the innate use of words, the tone, and the things that are being said, or not being said.”

Capture your Plan-B moment at every performance this season

I have never loved Macbeth. Can I say that aloud, as a theatre person? Is it allowed? Too late, Mel. Too late. [But] I have always wondered — what would happen if Lady Macduff had her say?

BALTHAZAR, more than any other play I’ve written, is a play of ideas and it is a play informed by my own journey as a woman in law, by my evolution as a scholar of women and the law, and by my own recognition of the importance to me of both my feminine and masculine sides.

My hope is that students, teachers, administrators, and parents – anyone and everyone who watches SQUEAK – will come away with a little more patience and a lot more understanding of what goes on inside the minds of kids whose brains work a little differently.

Though I have written a lot and published a bit, I didn’t think my writing was good enough to be produced. In fact, when I received the call that “The C Word” was chosen to be produced, I was shocked.

We’re kicking of #AANHPI Heritage Month with a conversation between Jerry Rapier and Brandan Ngo.